LP – Limited EditionSea Cliff Vinyl Repress (Colour named after closing track).

When things are right, theyre right; its rare that everything falls into place. Its rarer still to capture that feeling on wax, which is what The Mattson 2 have achieved with their album, “Paradise.” Its their second release on Chaz Bears (fka Chaz Bundick, aka Toro y Moi) Company Records, and first without Bear as a member of the band. The identical twins, Jared (guitars) and Jonathan (drums), have left their trademark virtuosity on display; within the 32-minute runtime theyve managed to capture the arc of an entire relationship between two people. You can tell from how warm the guitars sound we go from emotional equilibrium to longing to happiness to loss. For years and years youve been on my mind, they sing, and mean it. When the Mattsons sing the line youre so special, youre so easy its easy to forget theyre not talking to you.

Even so, its a record to throw a frisbee to its a sylphlike, sylvan thing, meant to be used and enjoyed. We dont want people to think too hard, they say. We want to let people in! Thats perhaps because its the first album theyve written and recorded in their home, which is a wooden cabin in the hills of San Diego. You can hear the sun in the keyboards, in the 80s-inflected jazz. The singing is new, too. What it adds up to is a bigger, bolder sound than their previous work; the brothers say they went into it trying out a conceptually new, cohesive sound a new sonic palette to create from. Its a little bit of summer you can savor all year long.

Theyve been playing shows for 15 years without any vocals; on Paradise, though, the twins have added their voices to the mix, which adds a welcome new human dimension to the record. No matter how much someone loved the instrumental set theyd ask if we sang! Jared said. Even so, the lyrics are meant to be abstract, to conjure a mood. If you listen closely youll be able to discern what the Mattson brothers are feeling. Theres longing, in songs that are about getting what you want and realizing its not actually the right thing; theres lyrics about not being free, in both the capitalist system and in the creative one. Theres a song about a loved one dying from an overdose. There are deep themes here, even if the subjects are treated lightly.

On Naimas Dream, which opens the album, the Mattsons lock into a buoyant melody; it sounds like the feeling of lying in a park on a carefree, sunny day, watching the dogs chase the people throwing frisbees in the distance. That feeling carries through the rest of the album, too; on Essence, which describes a relationship in progress. Youre so special, youre so easy, the Mattsons sing over a lush guitar arrangement propelled by a truly grooving bass line.

The range of human experience is vast, and the Mattsons have managed to capture a piece of it in stunning detail. Being alive demands every kind of adjective: difficult, boring, fun, sustaining, affirming, renewing, reviving, strenuous, punishing, arbitrary, unfeeling, inconvenient, and everything in between. The slice that the Mattsons describe in this album is uniformly sweet, but inflected with the knowledge of how quickly things can change, and how, most of the time, its hard to recognize that theyre changing until the metamorphosis is already complete.

Tracklist:

A1. Naima’s Dream
A2. Wavelength
A3. Darkness Surrender
A4. Essence
A5. Moonlight Motel

B1. Shell Beach
B2. Paradise
B3. Isela
B4. Seacliff