Double vinyl LP pressing. “I think beat-making is really the study of every kind of music,” says Brian Lindgren, the artist known as Mux Mool, “Anyone who makes beats should be experimenting in other genres.” On Skulltaste, Lindgren’s full-length debut on Ghostly International, the producer was determined to explore every corner of his beat-steeped psyche, and the resulting document is a masterpiece of eclectic cohesion: chunky instrumental hip-hop sits next to new-wave anthems and dubby dancefloor bangers, which abut skittery slices of D’nB and made-up video-game soundtracks. Skulltaste may cover a lot of ground, but Mux Mool pulls it off. He even makes it look easy. Skulltaste is an old-fashioned epic, and it’s diversity-both track-to-track and within the songs themselves-is hard to measure. Lindgren’s taste roams all over the map, but it’s this attention-deficient approach that makes Skulltaste such a smorgasbord of an album, tempting the listener