LP – Limited Edition Black Vinyl housed in a Gatefold Sleeve with extensive liner notes. Remastered with re-imagined Artwork by original designer Slim Smith.

Originally released on Bruce Gilbert and Graham Lewis Dome Records in 1981, Desmond Simmonss Alone on Penguin Island stands in splendid isolation. Re-released on Rafftt records with the permission of Desmonds estate it has been re-mastered from the original tapes by Denis Blackham, the artwork has been re- imagined by the original designer Slim Smith with extensive liner notes on gatefold vinyl rounding out the project.

The year before the Wire pair had initiated Dome: a project where the duo privileged process over the end product. They would often commence recording with little or no material, using the studio itself to create raw instrumentation. After the release of their first Dome album, they then invited Simmons to record an album for the Dome label. Simmons had played bass on Colin Newmans recently released debut solo album A-Z and he and the Wire frontman were lifelong friends.

His original demos suggested a kinship with the psychedelic guitar pop hed played on Newmans A-Z. However, the versions on Alone on Penguin Island enter a very different realm. With Gilbert and Lewis as producers, Simmonss compositions are abstracted, inverted and warped. It was a bold move on their part to suggest such an approach, yet a far bolder one for Simmons to accept this experimental mindset. Even if the recording sessions were often far from harmonious. Intriguing arrangements, sprightly verses and mournful melodies the album is one that spans many moods, Lewis referring to it as fragile, mysterious, melancholic From shimmering electronics and jittery synths to wistful guitar driven post punk. On the unforgettable By Air Or By Sea the breathless Simmons vocal was not some incidental effect: the producers instructed the singer to run around the block, then dart back into the studio and record the vocal, before he had a chance to get his breath back. Another of the albums highlights the deeply psychedelic Pathenon and the churning rhythms of Man The Lifeboats is another of the albums strongest tracks.

For all Simmonss Wire connections, Alone on Penguin Island shouldnt be considered a Wire side project. Its a fully formed work in its own right, with Simmonss strangely slanted song writing at its heart. It was produced just at the time a number of post punks brightest stars were about to dive into the mainstream. Simmons however, was headed in the opposite direction: creating an album that sounds as unique and challenging as the day it was first released. It is a bleached out coda: chilly and curious. It sounds less like a composition, more like its ghostly remains. Consequently, as the album concludes, the listener is left in an icy, lopsided lacuna.

Tracklist:

A1. A Caste From Hawaii
A2. To Be Lost
A3. Beacon Hill Six
A4. April Waits
A5. The Gymnast
A6. Bing Crosby’s Hat

B1. Man The Lifeboats
B2. Phone Ringing
B3. Counterpane
B4. By Air Or By Sea
B5. Pathenon
B6. Tracers
B7. Alone On Penguin Island